DNF: Dare You To, Katie McGarry

Dare You To

Katie McGarry

Harlequin/MiraInk, 2013

[New release: 7th June, 2013]

Goodreads

If anyone knew the truth about Beth Risk's home life, they'd send her mother to jail and seventeen-year-old Beth who knows where. So she protects her mom at all costs. Until the day her uncle swoops in and forces Beth to choose between her mom's freedom and her own happiness. That's how Beth finds herself living with an aunt who doesn't want her and going to a school that doesn't understand her. At all. Except for the one guy who shouldn't get her, but does....

Ryan Stone is the town golden boy, a popular baseball star jock-with secrets he can't tell anyone. Not even the friends he shares everything with, including the constant dares to do crazy things. The craziest? Asking out the Skater girl who couldn't be less interested in him.

But what begins as a dare becomes an intense attraction neither Ryan nor Beth expected. Suddenly, the boy with the flawless image risks his dreams-and his life-for the girl he loves, and the girl who won't let anyone get too close is daring herself to want it all...

Quotes are from the ARC version and might be different in the final copy.

I made it to 14% before giving up with this book. I haven't given it a Goodreads rating, but be warned that this review will be in no way complimentary.

It's rare that I DNF a book. I requested this book after hearing lots of great things about Pushing the Limits. Before reading Dare You To, I read PTL to familiarise myself with the series, and I found I had a lot of issues with that book. Still, I decided to give DYT a fair go. And I will say this: Katie McGarry writes pretty good drama. There are a lot of issues that she's not afraid to tackle as a writer, and I think it's interesting (and perhaps necessary) to see characters who are damaged by genuinely harmful or shocking life events. From reading PTL, I also know she writes romance with hormones, which is nice to see (i.e., we're not dealing with perpetual virgins here).

So what's the problem?

I will say right now that my issue with Dare You To is character-based, and that I know I am in the minority here when I say I didn't enjoy, or finish, the book. I have debated with myself whether or not to post this review, but it's something I wanted to put out there as air my thoughts, as it were.

The opening chapter of Dare You To was almost enough to make me stop reading in itself. We're introduced to Ryan and his friends, Chris and Logan, in a taco place. They've dared each other to get as many girls' phone numbers as possible that evening. When successful, they dump the slips of paper on the table. Ooh, conquests! And remember guys - the girl needs to be "chosen carefully": "Attractive enough so she won't fall for you. Not a dog because she'll be excited someone gave her a bone." Not that they'll call, of course, it's just a fun game. Well, Chris might call... HAHA! Only joking. 'Cause he "loves his girl" too much. Way to demonstrate that one, Chris.

So then we have Ryan, narrator of half the book's chapters and the kind of guy who HATES TO LOSE in a you-won't-like-me-when-I'm-angry, let-me-punch-the-table-because-I-might-lose-the-dare kind of way (or, as I prefer, in a just-plain-dickish kind of way). He's dared to get the phone number of so-called 'Skater-Girl', who walks into the taco place to, you know, get a taco. Skater Girl, or Beth, is approached by Ryan and rightly tells him to fuck off when he tries to smarm his way around her. Of course, Ryan believes that secretly, Skater Girl wants his attention - "She might look different from the girls at home, but all girls want the same thing - a guy who shows interest." HOLY CRAP, RYAN. You just figured out women. HIGH FIVE.

Beth tells Ryan there's "nothing you can do" to get her to hand over her name or phone number. So what does Ryan do? Walk away? Forget about the whole thing? Realise he's acting like a knob? No, ladies and gentleman, he ramps up the knob act a little further:

"Purposely invading her space, I steal a step toward her and place a hand on the counter next to her body. It affects her. I can tell. [...] She's small. Smaller than I expected."

What the ever-loving fuck is this? A girl tells you she's not interested, and you proceed to pin her up against the counter, invade her personal space, and take some kind of delight in the fact that you harrassment "affects her"?

But it's okay, because Ryan knows women, remember. He also knows what they should and shouldn't be doing. When Beth swears, she asks if he's offended by her language. He says no. His inner reaction is this: "Yes. [...] Girls don't use fuck. Or they shouldn't."

Well, fuck you, Ryan. Fuck you and your ideas about what girls want, and what girls should look like, and what girls should do.

[Minor spoiler] Oh, but don't get me wrong. Ryan is all about choice, at least when it comes to his brother being gay. One of Ryan's friends begrudgingly states that he's "cool" with Ryan's brother's "life choices" (I read that part out loud to my housemate, who said at exactly the same time as me - "IT'S NOT A LIFE CHOICE!"). Ryan is mad at his brother, because he left the house after his dad basically made him choose between being gay, and his family. Way to go, Ryan's dad. Way to be a homophobic dick. But hey, Ryan, go ahead and be mad at your brother for not sacrificing his own happiness and identity for your knobcheese of a father.

But so what? Why does Ryan bother me so much? He's a character in a book. I read a lot of books, and I have encountered a lot of arsehole characters in my time. They don't stop me reading the book - books need villains, and books need people you love to hate, and books need characters you don't agree with. I don't dispute any of that. What bothers me about Ryan is he's the hero. He's the guy you're meant to think is hot and desirable and the kind of guy you wish you could find at your high school. In Dare You To, you're meant to be so taken with Ryan that you forget the relationship between Beth and Isaiah that was set up in Pushing the Limits. And I have a problem with being told that Ryan is that kind of guy.

And yes, I am 27, and maybe a little older than the target audience here. I don't think that makes it any better. I teach a class of teenage girls who at times have such problematic ideas about boys and sex and control and violence that I can't just let characters like Ryan go. (I teach a class in which I have had to say, on numerous occasions, that controlling behaviour is never acceptable, that domestic violence is never justified, that girls are never "asking for it", and it hurts a little every time I have to do it.) Equally, there are characters like Chris, who texts his girlfriend constantly at a party they're all at, because he might trust "his girl" (arrrrgh) but he sure as HELL doesn't trust other drunk guys around her. So drunk, predatory guys at parties are just a fact of life here, and the girl needs protecting. Thankfully, Chris's girlfriend has Chris around, or else she'd probably never be able to leave the house.

Beth's characterisation I found problematic too. I felt for her - she's is trapped in some pretty horrific situations by her mum and her mum's violent boyfriend, and is sent to live with a family member she hasn't seen in years. All of this had the makings of an interesting plot - what I found disturbing were the numerous references to why Beth was like she was, particularly with regards to her appearance. When stoned, she talks about loving dresses and pink when she was a kid, and babbles a bit about ribbons. Her step-aunt asks why she has black hair now, when she was once blond. I have a horrible, horrible feeling (and I really hope I'm wrong) that during the course of this book, Beth shuns her "hardcore" look in favour this traditionally feminine image that the book seems to be suggesting she would secretly love, if only she didn't have all these "issues" and maybe a boy would love her enough so she could become a proper girl. The girl-saved-by-boy trope seems to be alive and well. (Unless you're a bad, slutty, harridan of a girl. Then you deserve what you get.)

So, in summary, according to Ryan and his friends, women should probably shut up and stop swearing (and maybe wipe off that eyeliner while they're at it), and gay men should probably stop choosing to be gay. I'm sorry if I can't reconcile this with any attempt to make Ryan 'book boyfriend' material, but I really, really can't. I think there is an element of trying to make Ryan and his friends "real" in this book - all that peppering their speech with "damn" (as in "damn if she doesn't make me hot", like you're really in a Matchbox 20 song now) and refusing to sugarcoat sex and relationships and the way boys are together. I don't begrudge this attempt at authenticity, but I do refuse to validate it. I know "real-life boys" (of which I know plenty) are not the lovestruck, eloquent specimens of some YA novels, but they're not all like this, either, and I don't like the idea of this misogynistic, controlling, saving behaviour being portrayed as either normal, or desirable.

Of course, I put this book down quite early, so I am aware there is room for Ryan to develop and change. I suspect, from the clues early in the book, that he will fall out with his dad, reunite with his brother, forgo a career in baseball for a writing career (given a weird, WEIRD burst of eloquence about what baseball means to him that just happens to take place in front of his English teacher, who utters a version of those fateful words - "You're a writer, Ryan") and get the girl. Beth will realise that her uncle is just trying to help, her mum will get better and dump her hideous boyfriend (or else Beth will realise there's nothing she can do to help and write her off), and she's stop dressing like 'Skater Girl' and become perfect girlfriend material.

I just really, really don't have the patience or the stomach to find out.

Overall rating: DNF

Book source: ebook ARC received from review from Netgalley.

Review: Pushing the Limits, Katie McGarry

Pushing the Limits (Pushing the Limits #1)

Katie McGarry

Mira Ink, 2012

Goodreads

No one knows what happened the night Echo Emerson went from popular girl with jock boyfriend to gossiped-about outsider with "freaky" scars on her arms. Even Echo can't remember the whole truth of that horrible night. All she knows is that she wants everything to go back to normal. But when Noah Hutchins, the smoking-hot, girl-using loner in the black leather jacket, explodes into her life with his tough attitude and surprising understanding, Echo's world shifts in ways she could never have imagined. They should have nothing in common. And with the secrets they both keep, being together is pretty muchimpossible.Yet the crazy attraction between them refuses to go away. And Echo has to ask herself just how far they can push the limits and what she'll risk for the one guy who might teach her how to love again.

I wavered on a rating for this book for a while. I feel like I've given books I've enjoyed to a similar extent a slightly higher rating, but that's because Pushing the Limits had a few too many niggles for me to really engage with it. The more I've had chance to think about it, the more I've been aggravated by a number of elements.

Pushing the Limits alternates between the first-person narration of Echo and Noah. Echo is a former member of the popular crowd at her high school, until a traumatic incident left her scarred and broken and unable to remember exactly what happened (at which point, her 'friends' all seem to have buggered off). Noah is RESIDENT BAD BOY, as identified by his leather jacket and some tattoos. He's been in foster care ever since his parents died, and his younger brothers live with a different foster family and are allowed only limited contact with Noah. (Foster care is apparently social anathema at this high school, too - I think someone actually "gasped" when told Noah was a foster kid.) Echo and Noah have been assigned the same guidance counsellor, Mrs Collins, who was a genuinely likable character in a sea of many less likable ones. As guidance counsellors go, she's not so many paces behind Allison Janney's Ms. Perky in 10 Things I Hate About You. ("What's another word for... engorged?")

via

Anyway. I digress. The very opening scene of the book, in which Echo, Mrs Collins, and Echo's father and stepmother all sit around and discuss Echo, seemed laden with cliches - the young, pregnant, evil stepmother! the my-way-or-the-highway father! the sullen teenager! Echo can't remember the bad thing that happened to her, and even though everyone else knows, they tell her she has to remember on her own (which seemed to have some psychological reasoning behind it, but which seemed kind of mean at the same time). I felt bad for Echo, but at the same time I don't think I ever cared enough about her as a character.

However, most of the problems I have with Pushing the Limits stem from the character of Noah. More pertinently, they stem from Noah somehow being the desirable boy in the book. I just couldn’t get on board with Noah as this supposedly dream guy. Sure, he doesn't try and push her into sex like her ex-boyfriend did, and he’s generally considerate and treats her well (although I don’t know if my dad would be too thrilled if some guy was groping the inside of my thigh when they met for the first time…). But Noah is horribly possessive, and somehow that becomes a ‘good’ thing here. He constantly refers to Echo as being his – “my girl”, “my siren” (argh), “my nymph” (shut the f…ront door). When he talks to his friend about whether he and Echo are together, he doesn’t say, “she’s my girlfriend”, he says, “I told her she was mine.” I bet she’s well pleased with that. (Except I think she is, and that’s kind of what bothered me.) He’s all ready to punch any guy that comes near her, even if they’re friends, and he says at one point that he’s glad they’re not going to a particular party because Echo’s friend Antonio will be there, and Antonio might be a little too interested in Echo for Noah’s liking. OH OKAY THEN.

Not to mention the whole - holding her hand = "marking my territory". Excuse me while I do the socially-acceptable version of peeing on you, woman.

McGarry included some interesting issues in Pushing the Limits, and ones that didn't seem overdone - Noah's case with his brothers was presented well, and I liked how we saw the different angles and different points of view, as well as the difficulties surrounding it. Noah didn't do himself many favours, and he was slow in coming to the realisation that everyone else had had - that maybe it wasn't a great idea to go to court and fight for custody - but the plotline itself was one of the things I enjoyed more.

I can see the appeal of Pushing the Limits in theory (and if you don't mind that you're kissing a boy who refers to you as his "nymph", there's a lot of material to please fans of YA romance) but it didn't do much for me at all. The main characters didn't grab me and there were so many questionable things happening that I could never really immerse myself in the story before someone else did or said something outlandish or strange or totally not in keeping with their character, just so the story would move along. (Case in point - Luke going from "YOU DON'T STEAL MY GIRLFRIEND!" to "actually, you guys make an awesome couple and he treats you so much better than I did" in ABOUT THIRTY SECONDS.)

Overall rating: 3/10

Book source: Borrowed from the library.

Showcase Sunday #21

Showcase Sunday is hosted by Vicky at Books, Biscuits and Tea.

I spent last weekend hanging out with The Boy, who came to stay for a few days, so this is a round up of the last couple of weeks' worth of books.

From the library:

Gone Girl - Gillian Flynn

I have already finished this, and all I can say is: go read it. (It's a difficult one to talk about without giving stuff away, so I'm not how the review will go yet!)

Now You See Me - S. J. Bolton

Recommended to me by Vicky, this is a crime novel focusing on a young policewoman and her fascination with Jack the Ripper. A copycat is on the loose, and he appears to be targeting Lacey...

Pushing the Limits - Katie McGarry

I received the second book in this series (Dare You To) for review a couple of weeks ago, so I thought I'd read them in order. It doesn't look like something I would normally pick up, but we'll see how it goes!

Received for review:

Steal My Sunshine - Emily Gale

Ebook copy received from Random House Australia (expected publication May 2013). Contemporary Australian YA with some added historical elements (according to the blurb, to do with forced adoptions). Looking forward to starting this one!

I also got my thesis back from my supervisor for my final edits, which means in WEEKS, rather than MONTHS or even YEARS (and it seems like not very long ago at all, sometimes, since it really was YEARS), I will be submitting. 80,000 words and a lot of brain-aching, brain-expanding, brain-frying thoughts later, my doctoral thesis is in its final stages. So if my posting is a little sporadic until that point, please excuse it...

Thanks for stopping by!

Showcase Sunday #20

Showcase Sunday is hosted by Vicky at Books, Biscuits and Tea.

First of all, I should probably start with a book I forgot to include last week: the screenplay of Don't Look Now!

Don't Look Now is one of my favourite films, and technically I bought the screenplay because I've been writing about the film in an article of mine, and I thought it would be handy to have. I don't normally include my academic books here, but this one is pretty cool so I thought I'd let people have a peek. :) Has anyone read the Daphne du Maurier original? I've been told it's even creepier than the film.

I also received an ARC of Dare You To by Katie McGarry, from Harlequin UK, which I am looking forward to starting! I have requested the previous book in the series, Pushing the Limits, from the library, so hopefully I can read them in order.

And MOST EXCITINGLY OF ALL (so exciting it warrants use of the word "excitingly"):

Yoshi is totally digging Stephanie Perkins.

Lola and the Boy Next Door by Stephanie Perkins! I have wanted to read this ever since finishing Anna and the French Kiss, which was before I started writing this blog, but I was also waiting for the paperback to be released. But last week I got my first payslip from my new teaching job, and I decided to break my book buying ban with this. Let's pretend it's 1997 and say: I'm super stoked.

Reviews posted this week:
Bunheads by Sophie Flack (5.5/10) - ballet-themed coming of age YA
Goodbye to Berlin by Christopher Isherwood (7/10) - an interesting portrait of Berlin in the early 1930s

I am also hosting a giveaway (ends March 9th), giving away books by Laurie Halse Anderson, David Levithan, Ally Carter and Ally Condie - more details here.

Thanks for stopping by!